penny

If you require a biography for a concert programme, please email enquiries@penelopeappleyard.co.uk

“Blessed with a voice of pristine clarity”, Penelope Appleyard is becoming known for the purity and agility of her voice, and her stylish interpretations of historical repertoire. She graduated with Distinction from Birmingham Conservatoire and now performs internationally as a soloist and consort singer, particularly in the field of early music.

She has performed at prestigious venues from Mexico to Istanbul, and has worked with ensembles including The New London Consort, the Taverner Consort, the Monteverdi Choir, Wiener Akademie, The London Bach Singers and Feinstein Ensemble, Arcangelo, Armonico Consort, Ex Cathedra and the Royal Shakespeare Company, also appearing on numerous recordings. Roles have included Cupid (Venus and Adonis) Dorinda (The Tempest) Shepherdess and Siren (King Arthur) Bonvica (Bonduca) Pallas (Judgement of Paris) Second Woman (Dido and Aeneas) Mopsa (Fairy Queen) and Belinda (Dido and Aeneas) at Bridgewater Hall alongside Roderick Williams. Penelope appears regularly on the concert platform, engagements having included Bach’s B minor Mass at the Bologna Festival with David Roblou and Philip Pickett, Arne’s Alfred with Steven Devine, Monteverdi Vespers with Laurence Cummings and King Arthur for the Brighton Early Music Festival. She has a particular love for chamber music and singing with instrumentalists. She has given recitals at Handel House with Julian Perkins, performed Purcell songs with the Orchestra of St John’s at St John’s Smith Square, regularly collaborates with lutenist Hector Sequera – with whom she has performed for the National Lute Society and Medieval and Renaissance Society – and is a member of the ensemble Dowland Works, led by Dame Emma Kirkby. She also sings with all female cross-over group Celeste, and acclaimed a cappella group Apollo5. In 2011 she co-founded historical chamber group Florisma, with whom she has recently recorded Handel’s ‘Neun Deutsche Arien’ for Convivium Records, and is currently promoting their new baroque programme “A Secret Garden”. She has a private vocal teaching practice and this year looks forward to starting as a visiting historical vocal tutor at the Elgar School of Music. She studies with Julie Kennard and Christine Cairns and has appeared in masterclasses with Catherine Bott, James Bowman, Michael Chance and Emily van Evera.

Works performed:

Arne Alfred
Bach Mass in G minor
Bach Mass in B minor
Bach Magnificat in D
Bach Cantata – Jauchzet Gott in Allen Landen
Bach Cantata 131 Aus dem tiefe
Bach Cantata 140 Wachet Auf
Bach Cantata 191
Bach Cantata 110
Bach St John Passion
Bach St Matthew Passion
Blow Venus and Adonis
Bononcini Stabat Mater
Britten A Ceremony of Carols
Bush Christmas Cantata
Buxtehude Membra non justi
Carissimi Historia di Jephte
Charpentier Messe de Minuit
Charpentier Te Deum
Faure Requiem
Handel Acis and Galatea
Handel Chandos Anthem No.9
Handel Dixit Dominus
Handel Joshua
Handel Messiah
Handel Neun Deutsche Arien
Handel Ode on the Birthday of Queen Anne
Haydn Creation
Haydn Heligemesse
Haydn Missa Sancta Cecilia
Haydn Missa Brevis in F
Haydn Missa Brevis Sancti Joannes De Deo
Haydn Nelson Mass
Khunhau Magnificat
Monteverdi Vespers (1610)
Monteverdi Beatus Vir
Mozart Coronation Mass
Mozart Requiem
Mozart Vesperae solennes de confessore
Pergolesi Magnificat
Purcell Come ye sons of art
Purcell Verse Anthems
Purcell Te Deum & Jubilate
Purcell Bonduca
Purcell Dioclesians
Purcell Fairy Queen
Purcell Dido and Aeneas
Purcell King Arthur
Purcell and various The Tempest
Rutter PsalmFest
Salieri Mass in D
Saint Saëns Oratorio de Nöel
Schubert Magnificat
Vaughan-Williams Hodie
Vivaldi Gloria
Vivaldi Magnificat
Vivaldi Nulla in Mundo Pax Sincera
Weldon Judgement of Paris
Zelenka Magnifiact in D